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The Significance of the Copy in Rimpa Painting
http://hdl.handle.net/10228/952
http://hdl.handle.net/10228/952e9b9bf00-c9a5-41d8-b5f2-33358605fe6d
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
com_human15_p1_24.pdf (56.8 kB)
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| Item type | 紀要論文 = Departmental Bulletin Paper(1) | |||||||
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| 公開日 | 2008-02-07 | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| タイトル | ||||||||
| タイトル | The Significance of the Copy in Rimpa Painting | |||||||
| 言語 | en | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| 著者 |
Daugherty, Cynthia
× Daugherty, Cynthia
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| 抄録 | ||||||||
| 内容記述タイプ | Abstract | |||||||
| 内容記述 | The spectrum of work produced by Rimpa artists from the time of Kôrin through toHôitsu and his followers makes apparent the significance of the copy. The concepts of‘anxiety of influence’ and h o n k a d o r i have informed most analyses. However, inemphasizing the function of the copy as a step in the development of individual artisticstyle, these concepts overlook the social purpose of the practice, as well as the mannerin which copies were used by artists to define a history and tradition for the style. | |||||||
| 書誌情報 |
九州工業大学情報工学部紀要. 人間科学篇 en : Bulletin of the Faculty of Computer Science and Systems Engineering, Kyushu Institute of Technology. Human sciences 号 15, p. 1-24, 発行日 2002-03 |
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| 出版者 | ||||||||
| 出版者 | 九州工業大学 | |||||||
| ISSN | ||||||||
| 収録物識別子タイプ | PISSN | |||||||
| 収録物識別子 | 1343-9405 | |||||||
| 版 | ||||||||
| 出版タイプ | VoR | |||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||
| 査読の有無 | ||||||||
| 値 | no | |||||||
